This month marks for me a full year without regular access to a studio to train trapeze.
For people who are close to me, in February of 2020 it would've been hard to imagine a Bella that wasn't an aerialist, and for good reason. I started training various aerial apparatuses in 2015, the month the local aerial studio opened (much love to my DG family), so I was 14 years old when I started regularly training. I was 12 when I started taking dance trapeze classes occasionally in California at my grandparents' church, I took tumbling and acrobatics classes from early elementary school, and started pre-ballet when I was 5 years old.
butt hang, age 14, three months into training, with a Heather observing! |
I literally do not remember a time when I wasn't an acrobat/dancer of some kind, and when I started trapeze I was a young teenager-- it was crucial in developing my concept of self. By about a year of training regularly, I would imagine my grownup self introducing my profession (vocation?) as "oh, I'm a (insert money job) and an aerialist;" when I talked about what I did outside of school it was always, "I train aerials and I do theatre;" I picked my college based on how close it was to a circus studio (much love to my SHOW people), and most people I've met since college know that I was incapable of shutting up about it last year. I saw contemporary circus productions like The 7 Fingers' Reversible and CIRCA's Humans and told myself I would one day be on a stage like that. I read books like The Ordinary Acrobat and spent my free time watching circus excerpts on YouTube and Instagram. I researched circus conservatories and tried to figure out what I wanted my work to be like. I trained up to 15+ hours a week at times, I took private lessons and group classes and open gyms and workshops. I taught at DG for a while too. I looked up to my teachers/coaches (what do we call them even) and their commitment, excellence, creativity and silliness.*
Camille teaches as I do strange things |
a fond memory of Julie teaching me how to do beats for the 500th time |
I gained some amazing friendships with people I absolutely adore and admire.** Both my junior and senior prom were on the same night as showcase, so I went to both, both times. I poured my heart and time into circus communities.
these were taken the same night |
check the eye makeup |
It's cliché, but I have often found myself living and breathing circus-- especially in times that have been rocky for my health, or when I've been dissatisfied with my circumstances, there was always the studio.
me and my friend Yahli at queer prom in 2018 |
Shirley, me, Robyn, and Michelle after showcase 2018 |
And I fit circus really well. Yes, physically-- I'm really flexible and I gain strength relatively easily, not to mention that I have the stereotypical "dancer body" that is still prized in many circus circles. Even more than that (after all, my physical advantages set me up as well or better for ballet, cross country, ice skating, cycling...), circus fits my personality and my values. Things I like about circus:
- The emphasis on the ensemble. No one person's part is usually more important than anybody else's in most shows I've seen, but it isn't like a corps de ballet or Broadway chorus because of,
- The individual nature of it. There's not that much standardized vocabulary (at least not in the places I've learned) because it's not a High Art form, so you learn the things you need to know however you learn them, with technique motivated by how it is or isn't functional and beautiful. Camille (my longest private coach-- I was 17 when I met her!) and I always joke that I'm always doing the things wrong but making new ones in the process. This nature of it all allows for,
tangled up in ropes in October 2020 |
- (I gave up on the lead-ins, ok?) The small yet big circus world. I'm probably very few degrees of separation from most people who are serious about circus. I just think that's really neat.
Yeah. I fit circus really well. It's the perfect thing for movers and misfits. I've had moments of beautiful community, contemplative solitude, creative inspiration, physical exhaustion, cathartic expression, and just everyday routine in studios, at shows. And I've already established that I have/had thought of myself as a student, a trapezist-in-training, and then all my other interests like music, writing, crafts, art, etc-- for years when Covid hit. Suddenly, my main source of community outside of school was all but gone, and the art form I tied much of my identity to was inaccessible to me and most people I know. Many of my friends have been able to return to training in various amounts, and I was even able to train a bit in the fall of 2020, but the thing I did of going to the studio to train 1-4x a week wasn't anymore.
oh to be back in the DG warehouse! |
hey look, I almost had a needle, neat |
I've tried to fill that hole with online dance classes (didn't like it), arts and crafts (this kinda worked, I made a lot of cool stuff this year), writing (actually, I've been liking this one, but it's such a solitary and non-physical activity, it doesn't quite hit the same spot), but none of those pursuits have become a part of my identity. I write all the time, I'm always working on a knitting or sewing project, I make books, and every once in a while I do a ballet barre or two. I don't think of myself as A Writer, A Crafter, A Dancer.
There's also the issue of losing progress. That can all come back, but I would be lying if I said I wasn't nervous to return to regular training. How long will the ~5 years of technique and vocabulary take for me to build back up? Will I even like it anymore? When I graduate college, will I still be able to pursue a professional circus path? Will I even want to? Am I still an aerialist, 12 months detached from a regular practice? Was I ever one? What do you do when you can't do what you do for a whole year?
I'm going to be spending this summer in Chicago, training more or less full time at Aloft (I think, you can't be sure of these things). With more and more people getting vaccinated, we are moving towards normal (not the same normal, but a normal). I am confident that I will still love it, I hope I'll still be good at it, no matter what it should be a great experience, just letting circus be the thing I do for a couple months. I think it will be good for me.
Even a whole year separated, I think (I think?) of myself as a trapezist-in-training, as a baby circus artist, an aspiring aerialist. I wonder if I should separate my identity from my activities, maybe you aren't what you fill your time with. Maybe you continue to be what you care about, even when forces outside of yourself cause you to take an extended leave of absence. I miss it, so much.
*shoutout to Camille, Catherine, Chloe, Julie, Henry, Naomi, and others I'm sure I've missed...
**shoutout to everyone at Smith Circus, DG & Aloft & SHOW!!